Andrew Hamilton Mastering

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DIsk mastering services for LP and single. All-analog transfer of open reel tape to stereo groove records, using MCI advance repro deck, L. J. Scully lathe, and Ortofon cutter.
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United States
Between $100 ~ $145
Online, Attended Mastering
2 business days
No Deals Available At This Time
$100/hr
4 business days
N/A
7 business days
All Styles, Ambient, Blues, Folk, Jazz, Reggae, Soul
Bootsy Collins, Rob Fetters, Little Arthur Duncan
Free Mastering Demo
Andrew Hamilton
513-542-3555
Composer, Drummer, Guitarist

I started out writing songs and recording demos in the 1970s.  By 1983, my hardcore Punk band, Sluggo, recorded a production master tape at Group Effort, which was cut to 7" (@ 33+1/3) and pressed at QCA.    Eventually, I moved to the other side of the studio glass and started engineering various genre tracking and mixing sessions in 1995.  I transitioned to mastering in 2001 and added lacquer-cutting in 2014 after speding three years restoring my lathe and running many tests.   I received mentoring from master cutters, Al Grundy and Burgess Macneal, and also got pointers from master cutter, Mike Fuller, who cut mixes by Tom Dowd for Rod Stewart and Kenny Loggins.   Mike visited the studio in 2015 to see his old lathe and the room where he first started cutting (Control C, at Lot 33).

L. J. Scully \"THE LATHE\" LS-76, formerly used at Criteria and Fullersound.

Ortofon drive package:  DSS 821, -732, and -731 stereo cutting heads;  GO 741  (550 W/ch) cutting amps, calibrated by Ortofon / Fonofilm Industri engineer, Torben Rønne.

Sontec MES-482-D7 mastering equalizer, hand-delivered, new, by Burgess Macneal.  

MCI JH-110/M (1/2" - 30 ips, advance repro deck), Ampex ATR-102 (1/2"- 30 ips), and Studer A-80 R (1/4" - 7.5; 15 ips) (formerly used by Rusty York at his Jewel Studios) tape machines.

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